Cem and Nuri
Cem repairs machines that notices say must stop. Nuri gives him space at the key-cutting bench and tends an injured pigeon. Cem’s preservation becomes a refusal to let the father decide whether the working night-light is returned or discarded. Their trade and kindness do not make them one moral position.
Esen
At the Second Thursday, the organizer of the exchanged folders tells them her name is Esen. The mother makes her responsible to a child's lunchtime. Esen holds the closing door with a shoe; the changed companion later uses the shoe to contest its own victory caption.
Suna
She wants her mother's name to matter and wants a place on the balcony. Taking the blood out of the Pool exposes a disagreement over who may dispose of it. Bringing it back does not settle her affiliation. Her final grip protects a tube while overriding the donor's spoken request.
Rauf and Lida
Rauf has said ready while Lida remains under the shroud. The microphone credits her with the all-clear. The rescue injures him and leaves her hurt; the director still manages her exposure and audibility. Biscuit's later return is identifiable; the man beside him in The Liminal remains unnamed.