The first review describes an invitation to leave together, a dusk boat, and an empty counter where nobody serves the next arrival. The later corrected account replaces the invitation with Come again. The woman remains, wipes a cup ring, and serves. The mother's grip witnesses the first evening. A screening report corroborates that account within the file; it does not stand outside the conflicting records as an independent judge.
The first print is version ten. Version eleven supersedes it and runs four minutes shorter. Two hundred six earlier filings require paid correction, and the reviewer disavows having seen the first ending. By the final notice, version twelve is standard. Its difference is not itemized. Only version eleven's four-minute reduction has a stated measurement.
Correction lands on the people who filed the accounts: they pay, while their originals remain available for training. It also lands on the mother. Told that the film never ended as she remembers, she apologizes for crying. The reviewer books one ticket for the next screening and keeps returning in the hope that the boat will return. No restoration is promised.