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TÜRKÇE
Sub la Kuranta Akvo
story thirteen · figures 37–39
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SUB LA KURANTA AKVO · THE SHAPE OF A PAGE THAT IS NEVER TRANSLATED — measured, not rendered · nothing here restates the page in English, which is the ruling (R-24, R-37)
SUB LA KURANTA AKVO · THE SHAPE OF A PAGE THAT IS NEVER TRANSLATED
measured, not rendered · nothing here restates the page in English, which is the ruling (R-24, R-37)
74 words
2 negations
PARAGRAPH ONE
9 sentences
67 words
3 negations
PARAGRAPH TWO
5 sentences
44 words
5 negations
PARAGRAPH THREE
10 sentences
IT SHORTENS AS IT CLIMBS, AND TURNS NEGATIVE AS IT SHORTENS.
Eight words to a sentence at the start; four and a half at the end. The last paragraph is
the shortest, the densest, and the most negative — it is built out of what is absent.
THE PAGE NAMES NOBODY — IN A HUNDRED AND EIGHTY-FIVE WORDS, EVERY CAPITAL HEADS A SENTENCE,
and not one of them is a name. The names protection holds in a language the Office cannot read.
THE LAST FOUR WORDS ARE THE TITLE OF THE BOOK, ARRIVING FORTY-SEVEN STORIES EARLY,
and a reader with no Esperanto will still recognize them.
Estas vizithoroj. Estas ĉiam vizithoroj.
THE ONE PAGE THE OFFICE WILL NOT TRANSLATE IS MEASURED HERE AND LEFT UNTRANSLATED.
37
·
Sub la Kuranta Akvo
SUB LA KURANTA AKVO · WHAT THIS ONE PAGE SEEDS — the page is not restated here · its elements are counted by CATEGORY and pointed at the English stories that spend them
SUB LA KURANTA AKVO · WHAT THIS ONE PAGE SEEDS
the page is not restated here · its elements are counted by CATEGORY and pointed at the English stories that spend them
SUB LA KURANTA AKVO
story thirteen · 185 words
never translated, in any
edition or language (R-24)
THE RATE
1 figure
CHEAP WORDS
2 objects, 1 ritual
ROOM-TONE
1 animal
KINDLY CONFIRM
1 procedure
FINAL POSITION
1 machine
MANY HAPPY RETURNS · KEPT
1 weather term
ORDER WAS RESTORED
1 person, 1 object
THE LIMINAL
1 place
VISITING HOURS
1 place, 1 object, 1 offering
NOW SERVING · THE OBSERVANCE
1 absence
THE STANDARD VOWS
1 day
THE TITLE, AND STORY SIXTY
1 phrase
SEEDED ACROSS TWELVE STORIES, FROM ONE PAGE NOBODY IN THE CITY CAN READ.
Counted by category and not restated: a figure, objects, a ritual, an animal, a procedure, a machine, a weather
term, a person, places, an offering, an absence, a day, a phrase. A reader who cannot read the page loses nothing
STRUCTURALLY — WHICH IS THE ARGUMENT THE RULING RESTS ON.
38
·
Sub la Kuranta Akvo
SUB LA KURANTA AKVO · THE REFUSAL, DEFENDED FROM INSIDE THE BOOK — every layer that could have supplied a translation, and what each one does instead
SUB LA KURANTA AKVO · THE REFUSAL, DEFENDED FROM INSIDE THE BOOK
every layer that could have supplied a translation, and what each one does instead
THE OFFICE, in the corrections thread
is asked for one
"No translation is printed. This applies here."
THE BOOK’S OWN APPARATUS
has no footnote, gloss, appendix or endnote
and a build check asserts their absence
THE ATLAS
describes the page’s shape and its wiring
and does not carry a line of it in English
THE TURKISH EDITION
will carry the page byte-identical
the translation of the book does not translate this page
THE READER
finds it in a minute, if they want it
and the finding is theirs — which is the whole design
THE PAGE IS SET IN ROMAN, LIKE ANY STORY, AND NOT IN ITALIC (R-37).
In this book italic is the city’s own voice — its forms in the contents, its notices inside the stories —
so the one page the city cannot read was, for months, dressed in the city’s typeface. It no longer is.
A REFUSAL THAT THE BOOK ITSELF ARGUES FOR, IN THE OFFICE’S OWN VOICE, IS NOT A GAP.
39
·
Sub la Kuranta Akvo
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