The Women's Dublin — cover plate A deep plate. Sixteen paper discs stand in a single row across the upper field, one for each entry in the census. Beneath them a monospaced line reads sixteen women, 181 appearances, six modes of entry, underscored by a short gold rule. AN AUDIENCE DECK · DIMENSION 02 The Women's Dublin SIXTEEN ENTRIES · 181 APPEARANCES · SIX MODES OF ENTRY Who enters the room — and who arrives at a remove. Dimension 02 · an audience deck 02 · THE WOMEN'S DUBLIN
Mode of entry — six horizontal bars Six horizontal bars stand on a vertical baseline, one per mode of entry, read top to bottom: on stage 4, a glimpse 4, memory 1, men's talk 6, a letter 1, a photograph 0. A scale of nought to six runs across the head of the field. Unlit bars are thin and unlabelled; the lit bar thickens, turns paper-white and takes its name. MODE OF ENTRY · COUNTED BY FIRST APPEARANCE On stage 01 23 45 6 on stage 4 a glimpse 4 memory 1 men's talk 6 a letter 1 a photograph 0 4 4 of 16 women 02 · THE WOMEN'S DUBLIN
The milk woman's account, reckoned aloud Three rows of drawn coins. Seven small coins marked twopence, then three larger coins marked fourpence, then one large florin marked two shillings beside two single pennies. Each row is named at its left and totalled at its right: a shilling and twopence over, a shilling, twopence owed. THE MILK WOMAN'S ACCOUNT, RECKONED ALOUD · EPISODE 1 The milk woman seven mornings · a pint at twopence 2d 2d 2d 2d 2d 2d 2d a shilling and twopence over three mornings · a quart at fourpence 4d 4d 4d a shilling the florin handed over · the credit allowed 2s 1d 1d twopence owed 2s 2d episode 1 · ~8:15 a.m. · one call · one exit 02 · THE WOMEN'S DUBLIN
Martha Clifford — what reaches Bloom A large drawn envelope fills the left two thirds of the field, two further sheets stacked behind it, a blank stamp at its upper right. Its face is addressed to Miss Martha Clifford, care of the Post Office, Dolphin's Barn Lane, Dublin. To the right, a pressed flower drawn as four crossed petals, and below it a postal order for two shillings. WHAT REACHES BLOOM · EPISODES 5, 11, 17 Martha Clifford Miss Martha Clifford c/o P. O. Dolphin's Barn Lane Dublin. a pressed flower POSTAL ORDER 2s two shillings 3 the text places her body nowhere in Dublin 02 · THE WOMEN'S DUBLIN
Ann Hathaway — one square per appearance Sixteen squares in two rows of eight, one per appearance, each marked with its episode: twelve read episode 9, one episode 14, three episode 15. Fourteen of the squares are filled — the appearances in men's talk; the last two are left as empty outlines, the two hallucinated appearances. ANN HATHAWAY · ONE SQUARE PER APPEARANCE Ann Hathaway ep 9ep 9 ep 9ep 9 ep 9ep 9 ep 9ep 9 ep 9ep 9 ep 9ep 9 ep 14ep 15 ep 15ep 15 men's talk · 14 HALLUCINATION · 2 SHE SPEAKS NO WORD ANYWHERE IN THE BOOK 14 16 appearances · 14 in men's talk 02 · THE WOMEN'S DUBLIN
Milly Bloom — twelve and six a week A single drawn coin fills the field, three hundred and forty units across, double-ringed. Its face carries the sum twelve shillings and sixpence in gold, and beneath that the words a week. THE ONLY YOUNG WOMAN'S WAGE THE TEXT STATES Milly Bloom 12s 6d a week Mullingar, the photo business 02 · THE WOMEN'S DUBLIN
Twelve sums, as the 1922 text names them Twelve entries in two columns of six, each a small drawn coin, a sum, a name and a qualifier. Left column: a penny, Dilly Dedalus, the French primer; twopence, the milk woman, credit allowed; a shilling, Cissy Caffrey, Nighttown; a shilling, Bella Cohen, damages beaten down; two shillings, Martha Clifford, the postal order; two and ninepence, the barmaids, black satin a yard. Right column: four and elevenpence, Gerty MacDowell, the green; five shillings, Mrs Dignam, In Memoriam P. Dignam; eight shillings, May Dedalus, money order Paris; ten shillings, Bella Cohen, the house price; twelve and six, Milly Bloom, a week; forty shillings, Ann Hathaway, borrowed at Stratford. TWELVE SUMS, AS THE 1922 TEXT NAMES THEM Twelve sums, as the text names them 1dDilly Dedalus the French primer 2dthe milk woman credit allowed 1sCissy Caffrey Nighttown 1sBella Cohen damages, beaten down 2sMartha Clifford the postal order 2s 9dthe barmaids black satin, a yard 4s 11dGerty MacDowell the green 5sMrs Dignam In Memoriam P. Dignam 8sMay Dedalus money order, Paris 10sBella Cohen the house price 12s 6dMilly Bloom a week 40sAnn Hathaway borrowed, Stratford 12 1d to 40s, as the 1922 text names them 02 · THE WOMEN'S DUBLIN
Interiority granted to Molly Bloom — one frame per episode Eighteen tall narrow frames stand side by side on a rule, numbered 1 to 18. Seventeen are empty outlines. The eighteenth is filled solid paper-white and named episode 18. INTERIORITY · ONE FRAME PER EPISODE Molly Bloom 12 34 56 78 910 1112 1314 1516 1718 episode 18 EPISODES 1 TO 17 · NONE 18 episode 18 · the whole episode 02 · THE WOMEN'S DUBLIN
Hour of first entrance — sixteen women across one day A timeline runs from eight in the morning to midnight. Sixteen marks stand above it on hairline stems, one for each entry, at the hour its woman first comes onto the page: four clustered at the eight o'clock hour, then Martha Clifford at ten, Mrs Riordan and Mrs Dignam before noon, Mrs Breen, Dilly Dedalus and Mina Purefoy at one, Ann Hathaway after two, the barmaids and Gerty MacDowell in the afternoon, the streetwalker before five, Cissy Caffrey at eight in the evening, and Bella Cohen last, past midnight. HOUR OF FIRST ENTRANCE The eight o'clock hour 8 a.m.10 noon2 p.m. 46 8 p.m.10 midnight Molly Bloom ~8:00 a.m. Milly Bloom ~8:00 a.m. May Dedalus ~8:10 a.m. the milk woman ~8:15 a.m. Martha Clifford ~10:00 a.m. Mrs Riordan ~11:00 a.m. Mrs Dignam ~11:15 a.m. Mrs Breen ~1:00 p.m. Dilly Dedalus ~1:05 p.m. Mina Purefoy ~1:10 p.m. Ann Hathaway ~2:10 p.m. the barmaids ~3:30 p.m. Gerty MacDowell ~3–4 p.m. the streetwalker ~4:55 p.m. Cissy Caffrey ~8:00 p.m. Bella Cohen ~12:15 a.m. 4 4 of 16 first entrances 02 · THE WOMEN'S DUBLIN

An audience deck. Seventeen women in sixteen census entries, 181 appearances; the census counts each entry once, by its first appearance. Ulysses: a first reading · Dimension 2, The Women's Dublin · the census.