SHARED 1 Open with the material arc, not a plot summary. The deck follows how public performance, report, labour, payment, and institutional speech acquire practical force. It does not claim that every joke is domination or every object a single symbol. [Sources] - SRC-E01-01 — https://www.gutenberg.org/ebooks/4300 [/Sources] --- SHARED 2 The literary route descends from roof to room, path, cove, and departure. These are first-reader bearings, not Joyce’s chapter divisions, a synchronized clock, or a present-day itinerary. [Sources] - SRC-E01-01 — https://www.gutenberg.org/ebooks/4300 - SRC-E01-03 — https://joycetower.ie/the-tower/ - SRC-E01-05 — https://www.joyceproject.com/notes/010001linati.htm [/Sources] --- SHARED 3 The episode demonstrates the sequence; the project proposes a relation among its parts. Keep those evidence lanes separate. The interpretation fails if every joke becomes domination or every object becomes one fixed symbol. [Sources] - SRC-E01-01 — https://www.gutenberg.org/ebooks/4300 - SRC-E01-04 — https://www.joyceproject.com/notes/010000telemachus.htm [/Sources] --- SHARED 4 Mulligan chooses the morning’s register. Stephen enters a scene he did not frame. The point is not that comedy conceals power; comic pleasure itself can distribute temporary authority. [Sources] - SRC-E01-01 — https://www.gutenberg.org/ebooks/4300 - SRC-E01-03 — https://joycetower.ie/the-tower/ - SRC-E01-04 — https://www.joyceproject.com/notes/010000telemachus.htm - SRC-E01-07 — https://archive.org/details/missaleromanumex00cath [/Sources] --- SHARED 5 May remains a person beyond the men’s conflict. Do not convert grief into diagnosis, a reported request into complete belief, or Stephen’s focal pressure into final moral authority. [Sources] - SRC-E01-01 — https://www.gutenberg.org/ebooks/4300 - SRC-E01-04 — https://www.joyceproject.com/notes/010000telemachus.htm [/Sources] --- SHARED 6 The scene’s represented facts are bounded: delivery, measure, bill, florin, and an unpaid balance. Symbolic pressure can be discussed only after the working person and her labour remain visible. [Sources] - SRC-E01-01 — https://www.gutenberg.org/ebooks/4300 - SRC-E01-04 — https://www.joyceproject.com/notes/010000telemachus.htm [/Sources] --- SHARED 7 Do not use the drowned body as a mechanism of allegorical proof. Preserve the abrupt interruption: political, religious, and literary arguments suddenly answer to bodily vulnerability. [Sources] - SRC-E01-01 — https://www.gutenberg.org/ebooks/4300 - SRC-E01-03 — https://joycetower.ie/the-tower/ - SRC-E01-04 — https://www.joyceproject.com/notes/010000telemachus.htm - SRC-E01-08 — https://www.folger.edu/explore/shakespeares-works/hamlet/read/ [/Sources] --- SHARED 8 The five pressures are project-authored cross-cutting relations, not causal weights. Keep their different demands visible: the tower can be shelter while money exposes inequality and the sea refuses interpretive control. [Sources] - SRC-E01-01 — https://www.gutenberg.org/ebooks/4300 - SRC-E01-03 — https://joycetower.ie/the-tower/ - SRC-E01-07 — https://archive.org/details/missaleromanumex00cath [/Sources] --- SHARED 9 Stephen supplies focal pressure, not neutral authority. Mulligan combines care and command. Haines combines curiosity and advantage. May remains beyond the men’s conflict. The milkwoman’s labour precedes symbolic use. [Sources] - SRC-E01-01 — https://www.gutenberg.org/ebooks/4300 - SRC-E01-04 — https://www.joyceproject.com/notes/010000telemachus.htm [/Sources] --- SHARED 10 This is a failure condition, not a polite appendix. The chapter is also comic, improvisational, sensory, rhythmic, associative, and unfinished. Mulligan, Haines, Stephen, and the key all resist one-role reduction. [Sources] - SRC-E01-01 — https://www.gutenberg.org/ebooks/4300 - SRC-E01-04 — https://www.joyceproject.com/notes/010000telemachus.htm - SRC-E01-06 — https://www.theoi.com/Text/HomerOdyssey1.html - SRC-E01-08 — https://www.folger.edu/explore/shakespeares-works/hamlet/read/ [/Sources] --- SHARED 11 End on the unresolved condition. Stephen moves, gives up the key, refuses the night’s lodging, cannot go home, and remains connected enough to agree to meet later. Do not adopt his final word as the deck’s neutral verdict. [Sources] - SRC-E01-01 — https://www.gutenberg.org/ebooks/4300 - SRC-E01-06 — https://www.theoi.com/Text/HomerOdyssey1.html - SRC-E01-08 — https://www.folger.edu/explore/shakespeares-works/hamlet/read/ [/Sources] --- SUPPORT 3P1 An arrangement is not self-proving. The text demonstrates a sequence of speech and material acts; the project infers a recurring pressure among them. Strong interpretation remains answerable to traceable evidence, counter-reading, and visible limits. [Sources] - SRC-E01-01 — https://www.gutenberg.org/ebooks/4300 - SRC-E01-04 — https://www.joyceproject.com/notes/010000telemachus.htm [/Sources] --- SUPPORT 5P1 May’s absence is not a blank cheque for interpretation. Trace the reported request, Stephen’s represented experience, guilt, and conflict without inventing her private consciousness or assigning a modern diagnosis. Attribution protects the absent and keeps the ethical stakes exact. [Sources] - SRC-E01-01 — https://www.gutenberg.org/ebooks/4300 - SRC-E01-04 — https://www.joyceproject.com/notes/010000telemachus.htm [/Sources] --- SUPPORT 6P1 The text gives a British guest with cultural access proposing a collection while a working Irish woman expresses shame at not speaking the language. Use that represented contrast to ask about conversion and unequal access; do not claim that one collector causes linguistic loss or that all scholarship is appropriation. [Sources] - SRC-E01-01 — https://www.gutenberg.org/ebooks/4300 - SRC-E01-04 — https://www.joyceproject.com/notes/010000telemachus.htm [/Sources] --- SUPPORT 7P1 Military context is materially relevant but not exhaustive. Keep Haines’s harmful statement attributed and paraphrased in the TEXT lane; independently documented building history belongs to HIST. [Sources] - SRC-E01-01 — https://www.gutenberg.org/ebooks/4300 - SRC-E01-03 — https://joycetower.ie/the-tower/ - SRC-E01-04 — https://www.joyceproject.com/notes/010000telemachus.htm [/Sources] --- SUPPORT 9P1 A caution after a reductive visual is not enough. Keep represented labour, attribution, unequal access, and bodily vulnerability visible so people exert pressure on the model rather than serving it. [Sources] - SRC-E01-01 — https://www.gutenberg.org/ebooks/4300 - SRC-E01-04 — https://www.joyceproject.com/notes/010000telemachus.htm [/Sources] --- SUPPORT 10P1 The comparative sources matter because the chapter invites Homeric and Shakespearean pressure. The gain lies in transformation: Stephen is not simply Telemachus or Hamlet, Mulligan is not mechanically Antinous or Claudius, and the tower is not a one-to-one Ithaca. [Sources] - SRC-E01-01 — https://www.gutenberg.org/ebooks/4300 - SRC-E01-06 — https://www.theoi.com/Text/HomerOdyssey1.html - SRC-E01-08 — https://www.folger.edu/explore/shakespeares-works/hamlet/read/ [/Sources]